[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbSecci\u00f3n\u00bb _builder_version=\u00bb4.16″ background_image=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo-nuevo\/wp-content\/uploads\/sites\/18\/2017\/02\/bg_cab_verde.jpg\u00bb custom_padding=\u00bb0px||0px|\u00bb transparent_background=\u00bboff\u00bb make_fullwidth=\u00bboff\u00bb use_custom_width=\u00bboff\u00bb width_unit=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_2,1_2″ admin_label=\u00bbFila\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb27px|0px|0px|0px\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_post_title meta=\u00bboff\u00bb featured_image=\u00bboff\u00bb admin_label=\u00bbT\u00edtulo de publicaci\u00f3n\u00bb _builder_version=\u00bb4.18.0″ title_text_color=\u00bb#ffffff\u00bb title_font_size=\u00bb40″ background_color=\u00bb#424242″ custom_margin=\u00bb80px|-150px|10px|||\u00bb custom_padding=\u00bb13px|10px||15px\u00bb parallax_effect=\u00bboff\u00bb module_bg_color=\u00bb#424242″ use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_post_title][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.20.4″ _module_preset=\u00bbdefault\u00bb min_height=\u00bb71.7px\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.20.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.20.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_button button_url=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2023\/05\/Actividades.pdf\u00bb button_text=\u00bbDescarg\u00e1 la gu\u00eda de actividades\u00bb button_alignment=\u00bbright\u00bb _builder_version=\u00bb4.20.4″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bbrgba(0,207,156,0.73)\u00bb box_shadow_style=\u00bbpreset4″ global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ admin_label=\u00bbSecci\u00f3n\u00bb _builder_version=\u00bb4.20.4″ background_color=\u00bbrgba(255,255,255,0)\u00bb min_height=\u00bb5730px\u00bb custom_padding=\u00bb10px||40px||false|false\u00bb transparent_background=\u00bboff\u00bb make_fullwidth=\u00bboff\u00bb use_custom_width=\u00bboff\u00bb width_unit=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion icon_color=\u00bb#00cf9b\u00bb module_id=\u00bbtexto-sala1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbSALA ROJA\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
La \u00faltima dictadura militar (1976-1983) implement\u00f3 un r\u00e9gimen siniestro basado en la violencia. Para ello ejecut\u00f3 un plan sistem\u00e1tico de acciones criminales y pol\u00edticas econ\u00f3micas que perjudicaron y empobrecieron a las mayor\u00edas, desmantelaron la industria nacional para beneficiar al capital extranjero, con la consiguiente p\u00e9rdida de empleo; es decir, modificaron el patr\u00f3n de acumulaci\u00f3n (el modo de producir y acumular la riqueza nacional). La imposici\u00f3n de la pol\u00edtica econ\u00f3mica se hizo a fuerza de represi\u00f3n: el 30 % de los desaparecidos eran obreros industriales.<\/span><\/p>\n Fue una \u00e9poca oscura de nuestra historia porque se vivi\u00f3 en un clima de terror y no hab\u00eda instituciones legales donde denunciar las violaciones a los DDHH y buscar protecci\u00f3n. Se implement\u00f3 el toque de queda (prohibici\u00f3n de estar en la calle a la noche), estaban prohibidas las reuniones, las actividades sindicales y pol\u00edticas, hubo censura y control de las actividades art\u00edsticas culturales, educativas y de comunicaci\u00f3n.<\/span><\/p>\n Los procedimientos de inteligencia, persecuci\u00f3n a civiles y secuestro de opositores al r\u00e9gimen estaban a cargo de grupos de tareas compuestos por agentes sin uniforme que circulaban en autos civiles. A los secuestrados los llevaban a centros clandestinos de detenci\u00f3n (CCD), lugares usados para alojar prisioneros ilegales. Muchos funcionaron disimulados dentro de una dependencia militar o policial y hubo CCD incluso en f\u00e1bricas. Las v\u00edctimas eran sometidas a interrogatorios bajo tortura, estaban incomunicadas y en condiciones inhumanas de vida. Luego de un tiempo de detenci\u00f3n se decid\u00eda su destino final: la liberaci\u00f3n, la c\u00e1rcel o la muerte y el posterior ocultamiento del cuerpo (enterrado en tumbas NN, arrojado desde aviones al mar). Conocer el destino de esos cuerpos es un reclamo a\u00fan vigente de familiares, allegados y gran parte de la sociedad.<\/span><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][et_pb_accordion icon_color=\u00bb#00cf9b\u00bb module_id=\u00bbtexto-sala1-ingles\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbRed room\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n \n The last military dictatorship (1976-1983) implemented a sinister regime based in violence. The regime executed a plan of systemic human rights abuses and political economics that damaged and impoverished a majority of the population, dismantled national industries to the benefit of foreign companies, with consequent loss of employment; this is to say that they modified the method of profit accumulation (i.e. the way of producing and building national wealth). The imposition of this political economic model was made through repression: 30% of disappeared people were industrial workers.\u00a0<\/span><\/p>\n This was a dark era in our history because there was a climate of terror and we lacked institutions to denounce human rights violations and seek protection. A curfew was implemented; group meetings were prohibited; political and union activities were made illegal; there was censorship and control of artistic expression, education, and communication.\u00a0<\/span><\/p>\n Intelligence processes, persecution of civilians, and the kidnapping of regime opposition were placed in the hands of working groups composed of secret agents that circulated around population areas in civilian vehicles. They took kidnapped people to clandestine detention centers (CCDs), places used to keep prisoners held without due process. Many worked undercover within military and police units, with CCDs even existing in factories. The victims were interrogated via torture, without communication with the outside world while living in inhumane conditions. After a period of detention, their final destination was decided: release, prison or death and the subsequent concealment of the body (buried in mass graves, or thrown from planes into the sea). Knowing the fate of these bodies is an ongoing claim by family members, close friends and a large part of society.<\/span><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/1.-Ricardo-Carpani.jpg\u00bb title_text=\u00bb1. Ricardo Carpani\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Ricardo Carpani<\/b>. Memoria, 1990.\u00a0<\/span><\/p>\n (Pintura. Acr\u00edlico sobre tela, 100 x 100 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/1.-Ricardo-CARPANI.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/1.1.-Carpani.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/2.-Miguel-Alzugaray.-La-camisa-de-Juan.-1984.jpg\u00bb title_text=\u00bb2. Miguel Alzugaray. La camisa de Juan. 1984″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n <\/b><\/p>\n Alzugaray Miguel.<\/b> La camisa de Juan. <\/span><\/p>\n Juan Pueblo, homenaje silvestre. 1984.\u00a0<\/span><\/p>\n (Pintura. Acr\u00edlico sobre tela, 80 x 120 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/2.la-camisa-de-juan.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos2″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2017\/09\/Graciela-Taquini-Resonancia-Video-2.jpg\u00bb title_text=\u00bbTaquini Graciela. Resonancia 2005. Videoinstalaci\u00f3n.\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Graciela Taquini<\/b>. Resonancia, 2005.\u00a0<\/span><\/p>\n (Videoinstalaci\u00f3n)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/3.-Graciela-TAQUINI-Resonancia.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos3″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/3.3.-Graciela-Taquini.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2017\/02\/Fernando-Gutierrez-Falcon.jpg\u00bb title_text=\u00bbFernando Gutierrez – Falcon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Fernando Guti\u00e9rrez<\/b>. Falc\u00f3n.\u00a0<\/span><\/p>\n (Fotograf\u00eda blanco y negro, 70 x 100 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/4.-Fernando-GUTIERREZ.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos4″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/4.4.-Fernando-Gutierrez-Falcon.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/5.-Hebe-Redoano-Pariras-con-dolor.jpg\u00bb title_text=\u00bb5. Hebe Redoano – Parir\u00e1s con dolor\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n <\/b><\/p>\n Hebe Redoano<\/b>. Parir\u00e1s con dolor, 1985.\u00a0<\/span><\/p>\n (Grabado, 24 x 35 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/5.-HEBE-Redoano.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos5″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/5.5.-Hebe-Redoano-Pariras-con-dolor.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/6.-Roberto-Paez-Compro-oro-scaled.jpg\u00bb title_text=\u00bb6. Roberto Paez – Compro oro\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Roberto P\u00e1ez<\/b>\u00a0 Compro oro. 2006.<\/span><\/p>\n (Grabado, 84 x 54 cm.) <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/6.-Roberto-PAEZ-Compro-oro.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos6″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/6.6.-Roberto-Paez-Compro-Oro.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/7.-Leon-Ferrari-nuncamas.jpg\u00bb title_text=\u00bb7. Leon Ferrari nuncamas\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Le\u00f3n Ferrari. <\/b>Serie Nunca M\u00e1s, 2005<\/span><\/p>\n (Collage, 29 x 42 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/7.-Leon-Ferrari-Nunca-Mas.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos7″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/7.7.-Nunca-Mas.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_divider color=\u00bb#ff4290″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ admin_label=\u00bbSecci\u00f3n\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ background_enable_color=\u00bboff\u00bb transparent_background=\u00bboff\u00bb make_fullwidth=\u00bboff\u00bb use_custom_width=\u00bboff\u00bb width_unit=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion icon_color=\u00bb#00cf9b\u00bb module_id=\u00bbtexto-sala2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbSALA dos\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n En Argentina, desde 1930, se sucedieron golpes de Estado que interrumpieron los procesos democr\u00e1ticos. El 24 de marzo de 1976 se produjo el \u00faltimo y m\u00e1s sanguinario golpe militar: el que derroc\u00f3 al gobierno constitucional de la presidenta Mar\u00eda Estela Mart\u00ednez de Per\u00f3n.\u00a0<\/span><\/p>\n Asumi\u00f3 entonces un gobierno de facto al mando de las tres fuerzas armadas que se autodenomin\u00f3 Proceso de Reorganizaci\u00f3n Nacional, y cont\u00f3 con la complicidad de sectores de la iglesia,\u00a0 de la sociedad civil y empresarial. Desde un comando conjunto (Ej\u00e9rcito, Marina y Fuerza A\u00e9rea) se planific\u00f3 y ejecut\u00f3 un sistema represivo clandestino subordinando a las fuerzas de seguridad: la Gendarmer\u00eda, la Polic\u00eda Federal y todas las polic\u00edas provinciales, entre ellas la bonaerense.\u00a0<\/span><\/p>\n Este plan represivo se denomina terrorismo de Estado porque hizo uso de los recursos estatales y del poder que otorga su ejercicio. El objetivo principal fue la persecuci\u00f3n, detenci\u00f3n y eliminaci\u00f3n de aquellos ciudadanos que participaban activamente en la construcci\u00f3n de un proyecto de pa\u00eds radicalmente distinto y de aquellos que se opon\u00edan al r\u00e9gimen.\u00a0<\/span><\/p>\n Fue un genocidio porque los militares establecieron sobre la poblaci\u00f3n civil un plan sistem\u00e1tico de persecuci\u00f3n por razones pol\u00edticas e ideol\u00f3gicas: exilio forzado, secuestros, torturas y asesinatos. Hubo cerca de 30.000 personas que estuvieron desaparecidas en centros de detenci\u00f3n, maternidades clandestinas, robo y apropiaci\u00f3n de beb\u00e9s, censura en \u00e1mbitos culturales y medios de comunicaci\u00f3n. La vida pol\u00edtica del pa\u00eds dej\u00f3 de estar regida por la Constituci\u00f3n argentina.<\/span><\/p>\n Las consecuencias perduran hasta la actualidad en la subjetividad de las v\u00edctimas y en la trama social; por ello, la memoria es una herramienta de construcci\u00f3n para dar a conocer estos hechos y para que nunca m\u00e1s se atente contra la democracia en nuestro pa\u00eds.<\/span><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][et_pb_accordion icon_color=\u00bb#00cf9b\u00bb module_id=\u00bbtexto-sala2-ingles\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbsecond room\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n In Argentina, from 1930, there had frequently been military coups followed by brief periods of democratic renewal. The coup of March 24, 1976 produced the last and most bloody military coup that usurped the democratic and legitimate government of Mar\u00eda Estela Mart\u00ednez de Per\u00f3n.<\/span><\/p>\n Named the National Reorganization Process, a new de facto government assumed command with complicity in sectors of the church, civil society and business. A joint command (army, navy, and airforce) planned and executed a clandestine system of repression under the authority of security forces like the Gendarmerie, the Federal Police and all the provincial police, including the Buenos Aires police.<\/span><\/p>\n This repressive plan is called state terrorism because it made use of state resources and the power that its exercise grants. The main objective was the persecution, arrest and elimination of those citizens who actively participated in the construction of a radically different politics project and those who opposed the regime.<\/span><\/p>\n The plan was a genocide as the military established a systematic persecution plan for the civilian population for political and ideological reasons: forced exile, kidnapping, torture and murder. Nearly 30,000 people were \u2018disappeared\u2019 in detention centers, including clandestine birth of babies and their subsequent theft and appropriation, censorship in cultural spheres and the media. The political life of the country ceased to be governed by the Argentine constitution.<\/span><\/p>\n The consequences continue up to today within the life of the victims and shared social trauma: for them and for us, memory is a tool of construction to publicize the facts and assure that never again is democracy attacked in our country.<\/span><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2017\/02\/Patrimonio-Obra-Alonso.jpg\u00bb title_text=\u00bbAlonso, Carlos. Dibujo de la serie Manos an\u00f3nimas.\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Carlos Alonso. <\/b>Serie Manos an\u00f3nimas, 1982.\u00a0<\/span><\/p>\n (Dibujo, 34 x 50 cm) <\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/8.-CARLOS-ALONSO.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos8″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/8.8.-Carlos-Alonso.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/9.-Juan-Carlos-Romero-La-larga-noche_.jpg\u00bb title_text=\u00bb9. Juan Carlos Romero – La larga noche_\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n <\/b><\/p>\n Carlos Romero<\/b>. La larga noche, 1985.<\/span><\/p>\n \u00a0(Grabado. Serigraf\u00eda, 30 x 38 cm.)<\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/9.-Juan-Carlos-ROMERO.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos9″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/9.9.-La-Larga-Noche.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/10.-Claudia-Contreras.-Remover-cielo-y-tierra.-2001.-scaled.jpg\u00bb title_text=\u00bb10. Claudia Contreras. Remover cielo y tierra. 2001.\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Claudia Contreras<\/b>. Remover cielo y tierra, 2001.<\/span><\/p>\n (Objeto. Abaco de acr\u00edlico, papel impreso con listas de personas desaparecidas publicado<\/span><\/p>\n por la CONADEP, cola vin\u00edlica y caja de luz, 42 x 52 x 0, 7 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/10.-Claudia-CONTRERAS.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos10″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/10.10.-Claudia-Contreras.-Remover-cielo-y-tierra.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/11.-Eduardo-Gil-30.000.jpg\u00bb title_text=\u00bb11. Eduardo Gil- 30.000″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n \u00a0Eduardo Gil<\/b>. Sin t\u00edtulo. 2005.\u00a0<\/span><\/p>\n (Fotograf\u00eda. Mural Fotogr\u00e1fico). <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/11.-Eduardo-GIL-30000.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos11″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/12.-Biopus.-Se-rebelan-se-revelan.jpg\u00bb title_text=\u00bb12. Biopus. Se rebelan, se revelan\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Biopus. <\/b>Se rebelan, se revelan!<\/span><\/p>\n (Instalaci\u00f3n interactiva)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/12.-BIOPUS.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos12″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/12.12.-BIOPUS.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ admin_label=\u00bbSecci\u00f3n\u00bb _builder_version=\u00bb4.16″ background_color=\u00bbrgba(255,255,255,0)\u00bb custom_padding=\u00bb40px||40px|\u00bb transparent_background=\u00bboff\u00bb make_fullwidth=\u00bboff\u00bb use_custom_width=\u00bboff\u00bb width_unit=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion icon_color=\u00bb#00cf9b\u00bb module_id=\u00bbtexto-sala3a\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbDe silencios, resistencias y reparaciones\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n El miedo provocado por el terrorismo de Estado gener\u00f3 silencio en amplios sectores de la poblaci\u00f3n e instal\u00f3 en el sentido com\u00fan las expresiones \u201cno te metas\u201d porque la acci\u00f3n de comprometerse tra\u00eda aparejada una amenaza de muerte, \u201calgo habr\u00e1n hecho\u201d para reforzar la idea de que las muertes no eran arbitrarias y que no moverse y no hacer nada era una forma de preservar la vida, \u201caqu\u00ed no pas\u00f3 nada\u201d, un imaginario que instaba a permanecer en la mentira construida por los dictadores que negaban sus cr\u00edmenes.<\/span><\/p>\n El control de la cultura y de la informaci\u00f3n por la mayor\u00eda de la prensa (ejercido por los dictadores y la complicidad empresarial de los propietarios de medios gr\u00e1ficos, radio y televisi\u00f3n) permit\u00eda impartir noticias deformadas sobre los hechos ocurridos, planteando que las personas asesinadas, generalmente militantes de organizaciones pol\u00edticas, hab\u00edan muerto en \u201cenfrentamientos\u201d con las fuerzas de seguridad o eran \u201cdelincuentes subversivos\u201d.<\/span><\/p>\n Muchas personas tuvieron que exiliarse del pa\u00eds. Otras padecieron el insilio, es decir, deb\u00edan permanecer escondidas en lugares alejados de su hogar (otras provincias, otras ciudades de Argentina). Desde estos rincones perdidos y ocultos muchos artistas y militantes fueron denunciando y contando lo que pasaba en nuestro pa\u00eds.<\/span><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][et_pb_accordion icon_color=\u00bb#00cf9b\u00bb module_id=\u00bbtexto-sala3a-ingles\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbOf Silence, Resistance, and Reparation\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n The fear provoked by state terrorism generated silence in wide sectors of the population and installed a common feeling described in the following expressions, including \u00abdon’t get involved\u00bb because any action involved a death threat, \u00abthey must have done something\u00bb to reinforce the idea that the deaths were not arbitrary and that not moving and doing nothing was a way to preserve life, \u00abnothing happened here\u00bb, an imaginary claim that urged each person to remain in the lie constructed by the dictators who denied their crimes.<\/span><\/p>\n The control of culture and information by the majority of the press (exercised by the dictators and the business complicity of the owners of graphic media, radio and television) made it possible to spread distorted news about the events that occurred, suggesting that the murdered people, generally activists of political organizations, had died in fabricated \u201cconfrontations\u201d with the security forces or were \u201csubversive criminals\u201d.<\/span><\/p>\n Many people were forced into external exile from the country. Others suffered internal exile, that is, they had to remain hidden in places far from their home in Argentina. From these lost and hidden corners, many artists and activists were denouncing and telling what was happening in our country.\u00a0<\/span><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/13.-Horacio-Zabala-Diario.jpg\u00bb title_text=\u00bb13. Horacio Zabala- Diario\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n <\/b><\/p>\n Horacio Zabala<\/b> Serie Peri\u00f3dicos: Diario censurado, 1985<\/span><\/p>\n (Dibujo. Pastel sobre papel, 35 x 50 cm.)<\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/13.-Horacio-Zabala.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos13″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/13.13.-Horacio-Zabala-Diaros-censurados.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/14.-Adolfo-Nigro.-Carta-scaled.jpg\u00bb title_text=\u00bb14. Adolfo Nigro. Carta\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Adolfo Nigro<\/b>. Carta a Raquel Drangosch desde Amsterdam, 1982<\/span><\/p>\n T\u00e9cnica mixta, 65 x 77 cm.<\/span>\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/14.-Adolfo-Nigro-La-carta.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos14″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/14.14.-Adolfo-Nigro.-Carta.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/15.-Luis-Felipe-Noe-Aqui-no-paso-nada-scaled.jpg\u00bb title_text=\u00bb15. Luis Felipe No\u00e9 – Aqu\u00ed no pas\u00f3 nada\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Luis Felipe No\u00e9<\/b>. Aqu\u00ed no pas\u00f3 nada, 1997.<\/span><\/p>\n (T\u00e9cnica mixta, 51 x 66 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/15.Luis-Felipe-Noe.-Aqui-no-paso-nada.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos15″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion icon_color=\u00bb#00cf9b\u00bb module_id=\u00bbtexto-sala3b\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbDe silencios, resistencias y reparaciones\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n El consenso obtenido por los militares en los primeros a\u00f1os de gobierno comenz\u00f3 a decaer gracias a la resistencia. La organizaci\u00f3n de las madres y los familiares de los detenidos-desaparecidos, las organizaciones obreras que se reconfiguraron en la lucha, los medios gr\u00e1ficos alternativos y los exiliados que buscaron alianzas internacionales para dar a conocer los cr\u00edmenes ocurridos fueron minando las bases del terrorismo de Estado.\u00a0<\/span><\/p>\n Las Madres de Plaza de Mayo fueron las fundadoras del primer rito de resistencia civil organizado contra la dictadura. El 30 de abril de 1977 se congregaron por primera vez para pedir por sus hijos y as\u00ed romper el muro de silencio que la dictadura hab\u00eda construido. Esa lucha se extendi\u00f3 al resto de los organismos de derechos humanos.<\/span><\/p>\n Las huelgas parciales, trabajo a desgano, interrupci\u00f3n de tareas, acciones que imped\u00edan la identificaci\u00f3n de los delegados gremiales, difusi\u00f3n de escritos artesanales que circularon de mano en mano fueron otras estrategias de resistencia para romper el silencio y el disciplinamiento.\u00a0<\/span><\/p>\n El 30 de marzo de 1982 se realiz\u00f3 en Buenos Aires una gran marcha bajo la consigna \u201cpaz, pan y trabajo\u201d, donde participaron miles de personas.\u00a0<\/span><\/p>\n La derrota en la guerra de Malvinas en 1982 fue la gota que termin\u00f3 de colmar el malestar de los argentinos y precipit\u00f3 el fin de la dictadura. Los ex-combatientes, silenciados a su retorno de las Islas, guardaron su padecimiento como un clamor callado, y hoy reclaman el derecho a ser reconocidos como v\u00edctimas de delitos de lesa humanidad.<\/span><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][et_pb_accordion icon_color=\u00bb#00cf9b\u00bb module_id=\u00bbtexto-sala3b-ingles\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbOf Silence, Resistance, and Reparation\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n The consensus enforced by the military in the first years of government began to fall apart thanks to the resistance. The organization of the mothers and relatives of the detained-disappeared, the workers’ organizations that reconfigured themselves in the struggle, the alternative graphic media and the exiles who sought international alliances to publicize the crimes that occurred were together undermining the basis for state terrorism.\u00a0<\/span><\/p>\n The Mothers of Plaza de Mayo were the founders of the organized civil resistance against the dictatorship. On April 30, 1977, they gathered for the first time to ask for their children and thus broke the wall of silence that the dictatorship had built. That fight spread to the rest of the human rights organizations.<\/span><\/p>\n Partial strikes, uncompleted work, and interruption of tasks prevented the identification of union delegates. Dissemination of craft writings that circulated from hand to hand were other strategies of resistance to break the silence and discipline.<\/span><\/p>\n On March 30, 1982, a massive march was held in Buenos Aires under the slogan \u00abpeace, bread and work\u00bb, where thousands of people participated.<\/span><\/p>\n The defeat in the Falklands War in 1982 was the final straw that angered Argentines and precipitated the end of the dictatorship. The ex-combatants, silenced upon their return from the islands, suffered silently. Today they demand the right to be recognized as victims of crimes against humanity.<\/span><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/16.-Adriana-lestido.jpg\u00bb title_text=\u00bb16. Adriana-lestido\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Adriana Lestido. <\/b>Madre e hija, 1982<\/span>\u00a0<\/b><\/p>\n (Fotograf\u00eda blanco y negro, 28 x 34 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/16-17-Adriana-Lestido-Gonzalez-Perrin.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos16″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/16-17.-16-17-Adriana-Lestido-Gonzalez-Perrin.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/17.-Jorge-Gonzalez-Perrin.-La-Ola-de-mayo.-scaled.jpg\u00bb title_text=\u00bb17. Jorge Gonzalez Perr\u00edn. La Ola de mayo.\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Jorge Gonz\u00e1lez Perrin.<\/b> La ola de Mayo.<\/span><\/p>\n \u00a0(Acr\u00edlico sobre tela y corrector, 100 x 100 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/16-17-Adriana-Lestido-Gonzalez-Perrin.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos17″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/16-17.-16-17-Adriana-Lestido-Gonzalez-Perrin.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/19.-German-Gargano.-Entrando-en-la-noche..jpg\u00bb title_text=\u00bb19. German Gargano. Entrando en la noche.\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Gargano Germ\u00e1n<\/b>. Entrando a la noche<\/span><\/p>\n \u00a0(Acr\u00edlico sobre tela, 80 x 120 cm.)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/19.-German-Gargano.-Entrando-en-la-noche.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos18″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/19.19.-German-Gargano.-Entrando-en-la-noche.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#d8d8d8″ width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb|10%||10%|false|false\u00bb custom_css_main_element=\u00bbalign-items: center;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/20.-Juan-Carlos-Romero.-Yo-acuso.-2013-scaled.jpg\u00bb title_text=\u00bb20. Juan Carlos Romero. Yo acuso. 2013″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Juan Carlos Romero<\/b>. Yo acuso, 2013.\u00a0<\/span><\/p>\n (Intervenci\u00f3n urbana en la fachada del MAM y alrededores)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/20.-Juan-Carlos-Romero-YO-ACUSO.mp3″ title=\u00bbAudiogu\u00eda adultos\u00bb module_id=\u00bbaudio-adultos19″ _builder_version=\u00bb4.19.3″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo\/wp-content\/uploads\/sites\/18\/2022\/11\/20.20.-Juan-Carlos-Romero.-Yo-Acuso.mp3″ title=\u00bbAudiogu\u00eda ni\u00f1os\u00bb module_id=\u00bbaudio-adultos1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(0,207,156,0.73)\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_divider color=\u00bb#ff4290″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ admin_label=\u00bbSecci\u00f3n\u00bb _builder_version=\u00bb4.16″ custom_padding=\u00bb0px||0px|\u00bb transparent_background=\u00bboff\u00bb make_fullwidth=\u00bboff\u00bb use_custom_width=\u00bboff\u00bb width_unit=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row admin_label=\u00bbFila\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb0px||0px|\u00bb custom_padding=\u00bb0px||0px|\u00bb make_fullwidth=\u00bboff\u00bb use_custom_width=\u00bboff\u00bb width_unit=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttps:\/\/www.comisionporlamemoria.org\/museo-nuevo\/wp-content\/uploads\/sites\/18\/2017\/01\/linea_rayada-1.jpg\u00bb align_tablet=\u00bbcenter\u00bb align_phone=\u00bbcenter\u00bb align_last_edited=\u00bbon|desktop\u00bb admin_label=\u00bbImagen\u00bb _builder_version=\u00bb4.16″ custom_margin=\u00bb0px||0px|\u00bb custom_css_main_element=\u00bbheight: 15px !important;\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb animation=\u00bboff\u00bb sticky=\u00bboff\u00bb always_center_on_mobile=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" La \u00faltima dictadura militar (1976-1983) implement\u00f3 un r\u00e9gimen siniestro basado en la violencia. Para ello ejecut\u00f3 un plan sistem\u00e1tico de acciones criminales y pol\u00edticas econ\u00f3micas que perjudicaron y empobrecieron a las mayor\u00edas, desmantelaron la industria nacional para beneficiar al capital extranjero, con la consiguiente p\u00e9rdida de empleo; es decir, modificaron el patr\u00f3n de acumulaci\u00f3n (el […]<\/p>\n","protected":false},"author":40,"featured_media":44991,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"footnotes":""},"project_category":[37,36],"project_tag":[],"class_list":["post-46020","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-37","project_category-audioguia"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/project\/46020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/comments?post=46020"}],"version-history":[{"count":0,"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/project\/46020\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/media\/44991"}],"wp:attachment":[{"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/media?parent=46020"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/project_category?post=46020"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.comisionporlamemoria.org\/museo\/wp-json\/wp\/v2\/project_tag?post=46020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}